A man is found floating in the Mediterranean sea by a fishing trawler, he is unconscious and shot. Taken care of by the crew of the fishing trawler, he awakens and he has no idea who he is, or where he is from apart from a miniscule clue of a Swiss safety deposit box on his person.
The audience knows of course, that he is Jason Bourne (Matt Damon), a CIA operative who appears to be pursued for reasons that are not revealed to us. Bourne makes his way to Switzerland and investigates the contents of the safety deposit box filled with multiple passports with various names, multiple currencies and a gun. Faced with more questions, than answers, Bourne makes his way to the only place he thinks he can get some help, the American consulate.
Its up until this point that the film runs your standard and enjoyable spy fare with a great setup. All of this preamble though, is merely a means to an end to setup an impressive but endless amount of action scenes featuring the main protagonist and his numerous foes who are out to assassinate him.
Finding himself cornered in the U.S. embassy, Bourne summons his previously unknown fighting skills in the first of many fight scenes that takes place in which Bourne must elude his pursuers. He teams up with Marie (Franka Potenta) a young woman he saw earlier in the Embassy and offers her twenty thousand dollars to drive him to Paris where his next potential clue to his identity could be.
We learn in between the impressively scripted fight scenes that Bourne was a member of a classified CIA program called treadstone which is headed up by a shady character called Conklin (Chris Cooper). Treadstone now want Bourne dead for reasons that aren’t explained that wonderfully as the story takes a back seat to the action as is common in films today.
It’s been ten years since I’ve seen The Bourne Identity and those ten years really haven’t changed my feelings about it. While the film is technically proficient and the action scenes are well put together, the storyline itself seems a bit “thin” compared to other films of this genre. All in all though, this is a spy movie for the iPod generation that does entertain and with the benefit of 20/20 hindsight, this first film sits well amongst the two subsequent films to create a satisfying trilogy.





























